Apply by July 15. Internship runs from September to December. 

General Internships

Creative Nonfiction’s general internship offers outstanding undergraduate, graduate, and post-graduate individuals the opportunity to learn new skills while providing experience working in the realm of literary publishing. Because our office is small, interns often can become involved with various projects and gain an understanding of all aspects of running an independent literary organization. 

Typical tasks include managing incoming submissions, corresponding with writers and subscribers, filling customer orders, basic office tasks, fact-checking and research, data management, and a variety of other tasks that vary depending on current CNF projects. Please note: Much of the work performed by our interns and volunteers is not glamorous, but is vital.

We value quality of work over quickness, but interns and volunteers should have the ability to multitask, work between multiple projects, and change directions often. Applicants should display strong research skills, an attention to detail, a willingness to learn, and creativity. 


We offer one or two unpaid internships during the fall semester and require at least a 15 hour-per-week commitment. We can generally work with interns to schedule around other jobs or commitments.

Prospective candidates should have at least completed their junior year of college; applicants are encouraged to work with their school to get credit. 

If you would like to be considered for a general internship submit a cover letter, CV, and brief writing sample. Please upload your information as a Word file, pdf, or link.

The Creative Nonfiction Foundation is a private not-for-profit 501(c)(3) organization and welcomes all qualified applicants, regardless of gender, race, age, sexuality, or disability.

Application Due by July 15th, 2018
Ends on July 16, 2018$20.00
$20.00

For the spring 2019 issue of Creative Nonfiction magazine, we’re looking for true stories about doing it. Whether you’re straight, gay, or other; alone, in a couple, or in a crowd; doing it for the first time or the last, or not doing it at all, we want to hear your story.

As always, we’re interested in stories that are more than mere anecdotes, and we love work that incorporates an element of research and/or makes a connection to a larger story or theme. We welcome personal stories as well as profiles, and above all, we are looking for narratives—true stories, rich with scene, character, detail, and a distinctive voice—that offer a fresh interpretation or unique insight into the theme.

Please note: for this issue, we are interested primarily (and perhaps even exclusively) in stories of consensual and/or victimless sex. Also note, we are not seeking erotica. No photos, please.

CNF editors will award $1,000 for best essay and $500 for runner-up. All essays submitted will be considered for publication.

Guidelines: Essays must be previously unpublished and no longer than 4,000 words. All essays must tell true stories and be factually accurate. Everything we publish goes through a rigorous fact-checking process, and editors may ask for sources and citations. 

There is a $20 reading fee, waived for current subscribers.** You can also submit and become a subscriber, extend your subscription, or give a gift subscription by submitting $25 to include a 4-issue subscription to Creative Nonfiction (US addresses only). Multiple entries are welcome ($20/essay, becoming a subscriber is recommended instead) as are entries from outside the United States (though due to shipping costs the rate will be higher if you choose to include a subscription--$43 to Canada or $60 elsewhere).


Deadline to upload files: 11:59 pm Eastern Time,  July 16, 2018
 

Current subscribers can upload submissions here for free >>**

**Please note that we will check all submissions against our subscriber database. Submissions uploaded through the free option by non-subscribers will not be read. If you are not a subscriber, please proceed through the form below. 

$3.00
$3.00

The Creative Nonfiction Foundation is pleased to announce that, with support from the National Endowment for the Arts, we’re starting a new monthly magazine, set to debut this fall. Each issue of True Story will feature one exceptional work of creative nonfiction, which will be distributed in print and digitally (though not available online).

Submissions should be between 5,000 and 10,000 words long, on any subject, in any style. Surprise us! The only rules are that all work submitted must be nonfiction and original to the author, and we will not consider previously published work. 

We’ll pay $300 on publication and give you 10 free copies of “your” issue.

We’ll do our best to respond to submissions within three months. We can’t promise to consider work submitted for True Story for any of CNF’s other projects or publications—but we reserve the right to do so. 

Guidelines: Essays must be previously unpublished and no longer than 10,000 words. Multiple submissions are welcome, as are entries from outside the United States. You may submit essays online or by regular mail:

By regular mail 
Please send your manuscript; a cover letter with complete contact information, including the title of the essay and word count; and an SASE or email address for response to:

  True Story
    c/o Creative Nonfiction Foundation
    5119 Coral Street
    Pittsburgh, PA 15224

Online 
There is a $3 convenience fee to submit online. Subscribers to CNF/TS never pay a reading/convenience fee of any kind when submitting, though. Ever. Not a subscriber? Choose the discounted subscription add-on when uploading your submission.

Current subscribers can upload submissions here for free >>**

**Please note that we will check all submissions against our subscriber database. Submissions uploaded through the free option by non-subscribers will not be read.

Do you have an idea for a literary timeline? An opinion about essential texts for readers and/or writers? An in-depth, working knowledge of a specific type of nonfiction? Pitch us your ideas; Creative Nonfiction accepts query letters for the following sections of the magazine:

AFTERWORDS is the final page of the magazine. We're open to just about any idea that can be presented completely in one page, though we are more inclined toward pieces that take a lighter look at the genre, craft, and/or industry. Examples: First sentences from first books (#38); The ever-expanding nonfiction subtitle (#39); Side gigs for the nonfiction 99% (#45).

BETWEEN THE LINES focuses on the business of writing and the contemporary publishing landscape. This section is reserved for more serious, newsy (in a general way) topics.
Examples: The future of literary magazines in America (#38); A defense of navel-gazing (#39); The line between documentation and exploitation (#44).

REQUIRED READING catalogues and explores essential texts for nonfiction readers and writers. Pieces can be as simple as a list or as complex as a lyric essay.
Examples: David Shields' inspirations and recommendations (#38); Norman Mailer's indispensible nonfiction, as recommended by his biographer (#39).

THEN & NOW tracks significant developments in the genre and can include timelines or other creative comparisons. 
Examples: A history of the genre (and the magazine) from 1993 to 2009 (#38); Environmental writing since "Silent Spring" (#44); Our longstanding obsession with true crime (#45).

LIFE ONLINE provides a uique perspective of what the literary life is like online. Examples: The virtual realities of online advice columnist Sugar (#42); Of online anger, puppy dogs and ice cream (#43); Is online publishing permanent enough/ (#44).

UNDER THE UMBRELLA explores one subset or type of writing that falls under the creative nonfiction umbrella--dad memoir, extreme travel writing, as well as lesser-known kinds of creative nonfiction--and the patterns that connect these types of writing.
Examples: CNF's Armchair Guide to Stunt Writing (#38); Family History Narrative (#41); Sex Worker Memoirs (#45).

WRITER AT WORK offers an analysis of or an in-depth look into a specific writer's writing process.
Examples: Gay Talese's approach to composition (#39); E.B. White's use of literary effect in "Death of a Pig" (#41).

Note: Nothing increases your publishing chances more than a familiarity with the magazine; we recommend you become a subscriber, but a working knowledge of our recent issues is a great place to start, too.

Queries only. Please do not send completed pieces. Please do not send attachments. Please send brilliant, original ideas and a solid plan for turning those ideas into brilliant pieces of writing.