The third book in the Writing Pittsburgh series will be a single-author book-length work of creative nonfiction with a significant connection to contemporary Pittsburgh. This book could be a work of immersion journalism, a memoir with a strong connection to the present, a collection of essays, a series of profiles, a travelogue … or something else! The only real limitations are that the work must be nonfiction, have a strong Pittsburgh element, and appeal to a broad national audience.

The selected author will receive editorial, publicity, and marketing support from In Fact Books; publication and national distribution of the book; and an advance against royalties of $7,500.

Deadline for submissions: October 15, 2016


Ends on December 12, 2016$ 20.00 - 25.00
$ 20.00 - 25.00

Science and religion, despite their rich, interwoven history, are too often portrayed as opposites in nearly every way. As part of a larger effort* to facilitate dialogue between these two ways of knowing the world, Creative Nonfiction and Issues in Science and Technology are seeking original narratives illustrating and exploring the relationships, tensions, and harmonies between science and religion—the ways these two forces productively challenge each other as well as the ways in which they can work together and strengthen one another.

We welcome personal stories of scientists, religious figures, or (just as important) everyday people seeking to explore or reconcile their own spiritual and scientific beliefs. We also welcome research-based narratives about historical moments in scientific and/or religious discovery; stories by or about contemporary scientists wrestling with the ethical quandaries their work entails; or essays by religious, legal, humanistic, or other experts who have encountered interesting and revealing instances of science-religion dialogue and harmonies. Above all, we are looking for narratives—true stories, rich with scene, character, detail, and a distinctive voice—that provide a nuanced, thoughtful consideration of the complex interplay and unexplored interdependencies and synergies between science and religion.

Please note that while our interests are broad and inclusive, narratives should focus strongly on science and religion. We discourage submissions that focus on secondary issues such as bioethics; ecology, the environment, and sustainability; and pseudoscience.

Creative Nonfiction and Issues in Science and Technology editors will award two prizes—a best essay prize of $10,000, and a $5,000 runner-up prize—and up to five honorable mentions, each with a $500 prize. The two winning essays will be published in the fall 2017 issues of both magazines; honorable mentions will also be considered for publication in one or both magazines and/or online.  


Guidelines: Essays must be previously unpublished and no longer than 5,000 words. There is a $20 reading fee. You can also submit and become a subscriber, extend your subscription, or give a gift subscription by submitting $25 to include a 4-issue subscription to Creative Nonfiction (US addresses only). Multiple entries are welcome ($20/essay) as are entries from outside the United States (though due to shipping costs we cannot offer the subscription deal). The reading fee is waived for current subscribers, if you are a current subscriber, you may submit here.

A note about fact-checking: Essays accepted for publication in Creative Nonfiction undergo a rigorous fact-checking process. To the extent your essay draws on research and/or reportage (and it should, at least to some degree), editors will ask you to send documentation of your sources and to help with the fact-checking process. We do not require that citations be submitted with essays, but you may find it helpful to keep a file of your essay that includes footnotes and/or a bibliography.

To submit online:


Deadline to upload files: 11:59 pm Eastern Time, Monday, December 12, 2016
.

To submit via regular mail: 

Send a hard copy of your essay, plus a cover letter and reading fee. Postmark deadline Monday, December 12, 2016

Attn: Science & Religion
c/o Creative Nonfiction
5119 Coral Street
Pittsburgh, PA 15224


*TWP Science & Religion is a project of Arizona State University’s Consortium for Science, Policy and Outcomes and the School for the Future of Innovation in Society, in collaboration with Creative Nonfiction and Issues in Science and Technology magazines. TWP Science & Religion is made possible through a grant from the John Templeton Foundation.






****Please do not submit to this category if you are not a current subscriber.***

If you are not a subscriber, would like to become a subscriber, or extend your subscription please submit using this category.


Science and religion, despite their rich, interwoven history, are too often portrayed as opposites in nearly every way. As part of a larger effort* to facilitate dialogue between these two ways of knowing the world, Creative Nonfiction and Issues in Science and Technology are seeking original narratives illustrating and exploring the relationships, tensions, and harmonies between science and religion—the ways these two forces productively challenge each other as well as the ways in which they can work together and strengthen one another.

We welcome personal stories of scientists, religious figures, or (just as important) everyday people seeking to explore or reconcile their own spiritual and scientific beliefs. We also welcome research-based narratives about historical moments in scientific and/or religious discovery; stories by or about contemporary scientists wrestling with the ethical quandaries their work entails; or essays by religious, legal, humanistic, or other experts who have encountered interesting and revealing instances of science-religion dialogue and harmonies. Above all, we are looking for narratives—true stories, rich with scene, character, detail, and a distinctive voice—that provide a nuanced, thoughtful consideration of the complex interplay and unexplored interdependencies and synergies between science and religion.

Please note that while our interests are broad and inclusive, narratives should focus strongly on science and religion. We discourage submissions that focus on secondary issues such as bioethics; ecology, the environment, and sustainability; and pseudoscience.

Creative Nonfiction and Issues in Science and Technology editors will award two prizes—a best essay prize of $10,000, and a $5,000 runner-up prize—and up to five honorable mentions, each with a $500 prize. The two winning essays will be published in the fall 2017 issues of both magazines; honorable mentions will also be considered for publication in one or both magazines and/or online.  


Guidelines: Essays must be previously unpublished and no longer than 5,000 words. 

A note about fact-checking: Essays accepted for publication in Creative Nonfiction undergo a rigorous fact-checking process. To the extent your essay draws on research and/or reportage (and it should, at least to some degree), editors will ask you to send documentation of your sources and to help with the fact-checking process. We do not require that citations be submitted with essays, but you may find it helpful to keep a file of your essay that includes footnotes and/or a bibliography.

To submit online:


Deadline to upload files: 11:59 pm Eastern Time, Monday, December 12, 2016
.

To submit via regular mail: 

Send a hard copy of your essay, plus a cover letter and reading fee. Postmark deadline Monday, December 12, 2016

Attn: Science & Religion
c/o Creative Nonfiction
5119 Coral Street
Pittsburgh, PA 15224


*TWP Science & Religion is a project of Arizona State University’s Consortium for Science, Policy and Outcomes and the School for the Future of Innovation in Society, in collaboration with Creative Nonfiction and Issues in Science and Technology magazines. TWP Science & Religion is made possible through a grant from the John Templeton Foundation.






Ends on March 20, 2017$ 20.00 - 25.00
$ 20.00 - 25.00

In the summer of 1816, in response to a challenge from friends to write the most terrifying possible ghost story, the young Mary Wollstonecraft Shelley dreamed up the story of a young scientist and his monstrous creation. The “Frankenstein monster” has fascinated the imagination ever since.

In conjunction with the ASU Frankenstein Bicentennial Project, Creative Nonfiction magazine is daring writers (as Mary Shelley was dared in Geneva) to write original and groundbreaking stories in the spirit of Frankenstein—but nonfiction. That is to say, we’re looking for true stories that explore humans’ efforts to control and redirect nature, the evolving relationships between humanity and science/technology, and contemporary interpretations of monstrosity.

Essays must be vivid and dramatic; they should combine a strong and compelling narrative with an informative or reflective element and reach beyond a strictly personal experience for some universal or deeper meaning. We’re open to a broad range of interpretations of the “Frankenstein” theme, with the understanding that all works submitted must tell true stories and be factually accurate. Above all, we're looking for well-written prose, rich with detail and a distinctive voice.

Creative Nonfiction editors and a judge (to be announced) will award $10,000 and publication for Best Essay and two $2,500 prizes and publication for runners-up. All essays will be considered for publication in the winter 2018 issue of the magazine.

Guidelines:  Essays must be previously unpublished and no longer than 4,000 words. There is a $20 reading fee. You can also submit and become a subscriber, extend your subscription, or give a gift subscription by submitting $25 to include a 4-issue subscription to Creative Nonfiction (US addresses only). Multiple entries are welcome ($20/essay) as are entries from outside the United States (though due to shipping costs we cannot offer the subscription deal). All proceeds will go to prize pools and printing costs. The reading fee is waived for current subscribers, if you are a current subscriber, you may submit here.

A note about fact-checking: Essays accepted for publication in Creative Nonfiction undergo a rigorous fact-checking process. To the extent your essay draws on research and/or reportage (and it should, at least to some degree), editors will ask you to send documentation of your sources and to help with the fact-checking process. We do not require that citations be submitted with essays, but you may find it helpful to keep a file of your essay that includes footnotes and/or a bibliography.

You may submit essays online or by regular mail:

By regular mail


Postmark deadline March 20, 2017

Please send manuscript, accompanied by cover letter with complete contact information including the title of the essay and word count; SASE or email for response; and payment to:

Creative Nonfiction

Attn: Frankenstein
5119 Coral Street
Pittsburgh, PA 15224

Online


Deadline to upload files: 11:59 pm Eastern Time, March 20, 2017








****Please do not submit to this category if you are not a current subscriber.***

If you are not a subscriber, would like to become a subscriber, or extend your subscription please submit using this category.


In the summer of 1816, in response to a challenge from friends to write the most terrifying possible ghost story, the young Mary Wollstonecraft Shelley dreamed up the story of a young scientist and his monstrous creation. The “Frankenstein monster” has fascinated the imagination ever since.

In conjunction with the ASU Frankenstein Bicentennial Project, Creative Nonfiction magazine is daring writers (as Mary Shelley was dared in Geneva) to write original and groundbreaking stories in the spirit of Frankenstein—but nonfiction. That is to say, we’re looking for true stories that explore humans’ efforts to control and redirect nature, the evolving relationships between humanity and science/technology, and contemporary interpretations of monstrosity.

Essays must be vivid and dramatic; they should combine a strong and compelling narrative with an informative or reflective element and reach beyond a strictly personal experience for some universal or deeper meaning. We’re open to a broad range of interpretations of the “Frankenstein” theme, with the understanding that all works submitted must tell true stories and be factually accurate. Above all, we're looking for well-written prose, rich with detail and a distinctive voice.

Creative Nonfiction editors and a judge (to be announced) will award $10,000 and publication for Best Essay and two $2,500 prizes and publication for runners-up. All essays will be considered for publication in the winter 2018 issue of the magazine.

Guidelines:  Essays must be previously unpublished and no longer than 4,000 words. 

A note about fact-checking: Essays accepted for publication in Creative Nonfiction undergo a rigorous fact-checking process. To the extent your essay draws on research and/or reportage (and it should, at least to some degree), editors will ask you to send documentation of your sources and to help with the fact-checking process. We do not require that citations be submitted with essays, but you may find it helpful to keep a file of your essay that includes footnotes and/or a bibliography.

You may submit essays online or by regular mail:

By regular mail


Postmark deadline March 20, 2017

Please send manuscript, accompanied by cover letter with complete contact information including the title of the essay and word count; SASE or email for response; and payment to:

Creative Nonfiction

Attn: Frankenstein
5119 Coral Street
Pittsburgh, PA 15224

Online


Deadline to upload files: 11:59 pm Eastern Time, March 20, 2017








$ 3.00 - 12.00
$ 3.00 - 12.00

The Creative Nonfiction Foundation is pleased to announce that, with support from the National Endowment for the Arts, we’re starting a new monthly magazine, set to debut this fall. Each issue of True Story will feature one exceptional work of creative nonfiction, which will be distributed in print and digitally (though not available online).

Submissions should be between 3,500 and 7,000 words long, on any subject, in any style. Surprise us! The only rules are that all work submitted must be nonfiction and original to the author, and we will not consider previously published work. 

We’ll pay $300 on publication and give you 10 free copies of “your” issue.

We’ll do our best to respond to submissions within three months. We can’t promise to consider work submitted for True Story for any of CNF’s other projects or publications—but we reserve the right to do so. 

Guidelines: Essays must be previously unpublished and no longer than 7,000 words. Multiple submissions are welcome, as are entries from outside the United States. You may submit essays online or by regular mail:

By regular mail 
Please send your manuscript; a cover letter with complete contact information, including the title of the essay and word count; and an SASE or email address for response to:

  True Story
    c/o Creative Nonfiction Foundation
    5119 Coral Street
    Pittsburgh, PA 15224

Online 
There is a $3 convenience fee to submit online. Or, now through June 30, 2016, we're offering a special introductory submit-and-subscribe rate: $12 covers your submission fee and gets you a print subscription to the first year of True Story. The convenience fee is waived for current subscribers, if you are a current subscriber, you may submit here.

****Please do not submit to this category if you are not a current subscriber to Creative Nonfiction or True Story.****

If you are not a subscriber, would like to become a subscriber, or extend your subscription please submit using this category.

The Creative Nonfiction Foundation is pleased to announce that, with support from the National Endowment for the Arts, we’re starting a new monthly magazine, set to debut this fall. Each issue of True Story will feature one exceptional work of creative nonfiction, which will be distributed in print and digitally (though not available online).

Submissions should be between 3,500 and 7,000 words long, on any subject, in any style. Surprise us! The only rules are that all work submitted must be nonfiction and original to the author, and we will not consider previously published work. 

We’ll pay $300 on publication and give you 10 free copies of “your” issue.

We’ll do our best to respond to submissions within three months. We can’t promise to consider work submitted for True Story for any of CNF’s other projects or publications—but we reserve the right to do so. 

Guidelines: Essays must be previously unpublished and no longer than 7,000 words. Multiple submissions are welcome, as are entries from outside the United States. You may submit essays online here or by regular mail.

Do you have an idea for a literary timeline? An opinion about essential texts for readers and/or writers? An in-depth, working knowledge of a specific type of nonfiction? Pitch us your ideas; Creative Nonfiction accepts query letters for the following sections of the magazine:

AFTERWORDS is the final page of the magazine. We're open to just about any idea that can be presented completely in one page, though we are more inclined toward pieces that take a lighter look at the genre, craft, and/or industry. Examples: First sentences from first books (#38); The ever-expanding nonfiction subtitle (#39); Side gigs for the nonfiction 99% (#45).

BETWEEN THE LINES focuses on the business of writing and the contemporary publishing landscape. This section is reserved for more serious, newsy (in a general way) topics.
Examples: The future of literary magazines in America (#38); A defense of navel-gazing (#39); The line between documentation and exploitation (#44).

REQUIRED READING catalogues and explores essential texts for nonfiction readers and writers. Pieces can be as simple as a list or as complex as a lyric essay.
Examples: David Shields' inspirations and recommendations (#38); Norman Mailer's indispensible nonfiction, as recommended by his biographer (#39).

THEN & NOW tracks significant developments in the genre and can include timelines or other creative comparisons. 
Examples: A history of the genre (and the magazine) from 1993 to 2009 (#38); Environmental writing since "Silent Spring" (#44); Our longstanding obsession with true crime (#45).

LIFE ONLINE provides a uique perspective of what the literary life is like online. Examples: The virtual realities of online advice columnist Sugar (#42); Of online anger, puppy dogs and ice cream (#43); Is online publishing permanent enough/ (#44).

UNDER THE UMBRELLA explores one subset or type of writing that falls under the creative nonfiction umbrella--dad memoir, extreme travel writing, as well as lesser-known kinds of creative nonfiction--and the patterns that connect these types of writing.
Examples: CNF's Armchair Guide to Stunt Writing (#38); Family History Narrative (#41); Sex Worker Memoirs (#45).

WRITER AT WORK offers an analysis of or an in-depth look into a specific writer's writing process.
Examples: Gay Talese's approach to composition (#39); E.B. White's use of literary effect in "Death of a Pig" (#41).

Note: Nothing increases your publishing chances more than a familiarity with the magazine; we recommend you become a subscriber, but a working knowledge of our recent issues is a great place to start, too.

Queries only. Please do not send completed pieces. Please do not send attachments. Please send brilliant, original ideas and a solid plan for turning those ideas into brilliant pieces of writing.